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Director John Farrow
- In His Kind of Woman, director John Farrow deftly combines gritty noir claustrophobia with a sophisticated resort setting, resulting in a rather strange and shiny big-budget noir with plenty of romantic (even screwball) comedy elements, even bordering on farce toward the end.
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His Kind of Woman is a 1951 film noir starring Robert Mitchum and Jane Russell. The film features supporting performances by Vincent Price, Raymond Burr and Charles McGraw. The direction of the film, which was based on the unpublished story "Star Sapphire" by Gerald Drayson, is credited to John Farrow. [3]
His Kind of Woman: Directed by John Farrow, Richard Fleischer. With Robert Mitchum, Jane Russell, Vincent Price, Tim Holt. A deported gangster's plan to re-enter the USA involves skulduggery at a Mexican resort, and gambler Dan Milner is caught in the middle.
- (5K)
- Action, Crime, Film-Noir
- John Farrow, Richard Fleischer
- 1951-10-05
Nick Ferraro, deported crime boss, needs to re-enter the USA. His plan involves "honest" gambler Dan Milner, who's subjected to a series of "misfortunes," then bribed to take a trip to Mexico. En route, Dan meets chanteuse Lenore Brent, truly his kind of woman.
Sep 10, 2012 · A supreme oddity from Howard Hughes' RKO, which starts off with a relatively straightforward noir thriller plot - gambler Mitchum is pressurised under threat of violence to help exiled hoodlum ...
Vincent Price is His Kind of Woman’s MVP. A hero onscreen but an utter failure anywhere else, movie star Mark Cardigan knows no restraint when it comes time for him to commandeer a boat and save Robert Mitchum from Raymond Burr's Italian gangster.
- (2.7K)
- RKO Radio Pictures
- John Farrow, Richard Fleischer
Aug 16, 2021 · When director John Farrow (the noir stalwart behind The Big Clock and Alias Nick Beal) handed His Kind of Woman in to the studio, he thought it was done. Howard Hughes—RKO studio boss and...
In His Kind of Woman, director John Farrow deftly combines gritty noir claustrophobia with a sophisticated resort setting, resulting in a rather strange and shiny big-budget noir with plenty of romantic (even screwball) comedy elements, even bordering on farce toward the end.
