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  1. The Death of Socrates (French: La Mort de Socrate) is an oil on canvas painted by French painter Jacques-Louis David in 1787. The painting was part of the neoclassical style, popular in the 1780s, that depicted subjects from the Classical age, in this case the story of the execution of Socrates as told by Plato in his Phaedo. [1]

    • Oil on Canvas, Neoclassicism
  2. Feb 17, 2023 · The Neoclassicist Jacques-Louis David created the famous history oil painting titled The Death of Marat (1793). It is a portrayal of Jean-Paul Marat lying dead in his bath after Charlotte Corday killed him.

    • Alicia du Plessis
    • Jacques-Louis David (1748-1825)
    • ( Art Writer )
    • 1793
  3. Jacques Louis David French. 1787. On view at The Met Fifth Avenue in Gallery 634. In this landmark of neoclassical painting from just before the French Revolution, David took up a classical story of resisting unjust authority in a sparse, friezelike composition.

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  4. Aug 4, 2022 · The Death of Socrates (1787) by Jacques-Louis David in Context. Below we will start with a brief contextual analysis of The Death of Socrates by Jacques-Louis David, looking at the historical events that occurred when David painted it, who commissioned it, as well as how Socrates died.

    • Alicia du Plessis
    • ( Author And Art History Expert )
  5. The Death of Marat immortalized Marat as a martyr and hero of the people, and rapidly became an iconic image of the French Revolution. David achieved this by harnessing all the features commonly used in religious paintings of the lamentation of Christ, or scenes of Christian martyrdom.

  6. Marat and Christ. Jacques Louis David, The Death of Socrates, 1787, oil on canvas, 129.5 x 196.2 cm (The Metropolitan Museum of Art; photo: Steven Zucker, CC BY-NC-SA 2.0) At the height of the Reign of Terror in 1793, David painted a memorial to his great friend, the murdered publisher, Jean Marat.

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  8. Since 1893, the Royal Museums of Fine Arts of Belgium own Jacques Louis David's masterpiece "The death of Marat" (1793). In order to bear witness to the central position of this painting in the advent of modern art, the Royal Museums dedicate an exhibition to this masterpiece of our collections .

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