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Nov 22, 2021 · Rob Simonsen and Muncher (Afterlife's answer to Slimer) Courtesy of @36neex & Sony Pictures. When Jason Reitman decided to make a Ghostbusters film that would serve as a direct follow-up to the ...
Of course, they will not be absent from the concert! 🎟️ Tickets for the concert are available: on KBF: BILETY - kbfbilety.krakow.pl on EVENTIM - eventim.pl on the KBF: PLUS mobile app @rob_simonsen @anthonybwillis @martin.phipps1 #ilovefmf #fmf #krakowfilmmusicfestival #fillmmusic #muzykafilmowa
Apr 21, 2020 · A prime example of a score with that complete potency has just come from the hands and heart of composer Rob Simonsen. His music for The Way Back propels Gavin O’Connor’s latest film about a former high school basketball star (played superbly by Ben Affleck) dealing with alcoholism and asked by his alma mater to return to coach the team.
Rob Simonsen (born March 11, 1978) is an American composer and conductor. He is best known for his scores in films such as 500 Days of Summer (2009), The Age of Adaline (2015), Gifted (2017), The Only Living Boy in New York (2017), Tully (2018), Love, Simon (2018), The Front Runner (2018), The Way Back (2020), Ghostbusters: Afterlife (2021), The Adam Project (2022), The Whale (2022), Deadpool ...
Ghostbusters: Afterlife. (soundtrack) Ghostbusters: Afterlife (Original Motion Picture Soundtrack) is the soundtrack album for the film of the same name, released by Sony Classical Records on November 19, 2021. The film score includes new material composed by Rob Simonsen, as well as utilizing material originally written by Elmer Bernstein for ...
Nov 19, 2021 · Nov 19 2021 • 11:00 AM. It’s been nearly 40 years since the first Ghostbusters movie debuted on big screens. The story of four unexpected heroes taking on the paranormal has been delighting ...
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Nov 22, 2021 · For composer Rob Simonsen (The Way Back, The Front Runner), reimagining and expanding the world of Ghostbusters was just as much a matter of channeling the broader film world of the 1980s as it was about looking to Elmer Bernstein’s original score. We chatted with Simonsen about his favorite film references, fan service, and composing for visual effects ghosts.
