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  1. en.wikipedia.org › wiki › Paul_FejosPaul Fejos - Wikipedia

    Pál Fejős (27 January 1897 – 23 April 1963), known professionally as Paul Fejos, was a Hungarian-American director of feature films and documentaries who worked in a number of countries including the United States. He also studied medicine in his youth and became a prominent anthropologist later in life.

  2. Veteran, World War I. Noted film screenwriter, director and anthropologist. He was responsible for developing the use of carbon-14 dating of fossils. Detroit Free Press 4/25/1963

  3. www.imdb.com › name › nm0270838Pál Fejös - IMDb

    Pál Fejös. Director: The Last Moment. Budapest-born director Paul Fejos first called attention to himself in Kecskemét, Hungary, as a student actor. During World War I he was a soldier in the army of the Austro-Hungarian Empire, and after the war he became a student of chemistry.

    • January 1, 1
    • Budapest, Austria-Hungary [now Hungary]
    • January 1, 1
    • New York City, New York, USA
  4. Aug 31, 2012 · Fejos himself, despite being heralded by the magazine Close-Up in 1928 as a newcomer on par with the established Ernst Lubitsch, Murnau, Paul Leni, and Henry King, was virtually forgotten after he left America in 1931, having survived barely three years there as a director.

  5. Pál Fejös. Director: The Last Moment. Budapest-born director Paul Fejos first called attention to himself in Kecskemét, Hungary, as a student actor. During World War I he was a soldier in the army of the Austro-Hungarian Empire, and after the war he became a student of chemistry.

  6. www.wikiwand.com › en › Paul_FejosPaul Fejos - Wikiwand

    Pál Fejős (27 January 1897 – 23 April 1963), known professionally as Paul Fejos, was a Hungarian-American director of feature films and documentaries who worked in a number of countries including the United States. He also studied medicine in his youth and became a prominent anthropologist later in life.

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  8. May 20, 2016 · It begins with the much-anticipated premiere of the restoration of King of Jazz (released April 19, 1930), a musical review dominated by the expansive figure of Paul Whiteman, the band leader, today best remembered as the patron of George Gershwin's Rhapsody in Blue.

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