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George C. Romero. On September 30, 1997 he directed a Japanese market TV commercial for Capcom's Resident Evil 2 (1998) starring Brad Renfro as Leon S. Kennedy and Adrienne Frantz as Claire Redfield while Booker Bradshaw did the voice over. Peter Deming served as cinematographer while special make-up artist Screaming Mad George was responsible ...
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- The Bronx, New York City, New York, USA
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- Toronto, Ontario, Canada
- George A. Romero in TCM Remembers 2017 (2017)
- George A. Romero in Birth of the Living Dead (2013)
- Robert Englund, George A. Romero, and Danny Trejo in Call of the Dead (2011)
- Sarah Michelle Gellar and George A. Romero in Call of the Dead (2011)
- George A. Romero and Shawn Roberts in Diary of the Dead (2007)
- George A. Romero in Season of the Witch (1972)
Romero's first project was the 1968 horror film Night of the Living Dead, which he produced independently. Romero was also a contributing producer for the anthology television series Tales from the Darkside, which aired from 1983 to 1988.
His Night of the Living Dead series of films about a zombie apocalypse began with the original Night of the Living Dead (1968) and is considered a major contributor to the image of the zombie in modern culture. Other films in the series include Dawn of the Dead (1978) and Day of the Dead (1985).
Night of the Living Dead is a 1968 American independent horror film written, directed, photographed and edited by George A. Romero, co-written by John Russo, and starring Duane Jones and Judith O'Dea.
George A. Romero's latest entry in his much-vaunted Dead series is not as fresh as his genre-inventing original, Night of the Living Dead. But Land of the Dead does deliver on the gore and zombies-feasting-on-flesh action.
It's George A. Romero's best movies, like Night of the Living Dead and Dawn of the Dead, ranked in a list of works that demonstrate why he's the godfather of zombie cinema!
Jul 17, 2017 · In Romero’s movies—beginning with his astonishing 1968 debut, Night of the Living Dead—the dead just want to live, and who can blame them? Romero’s movies, always built on an armature of ...
