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  1. Friedrich Hollaender (in exile also Frederick Hollander; 18 October 1896 – 18 January 1976) was a German film composer and author. Life and career. Hollaender with his first wife Blandine Ebinger in the 1920s.

  2. Frederick Hollander was born to German parents in London on October 18, 1896. His father Victor was a widely acclaimed composer of revues, operettas and popular songs, still known today for his "Kirschen in Nachbars Garten" and "Schaukellied." Frederick grew up in Berlin, surrounded by an exceptional musical family, including uncles Gustav ...

  3. Kurt Weill, Werner Richard Heymann, Friedrich Hollaender, Mischa Spoliansky and Franz Waxman were among those Jewish cabaret composers that fled Berlin, eventually making successful careers for themselves outside Germany.

  4. Frederick Hollander Music is the official website of Frederick Hollander's / Friedrich Hollaender's musical works and song catalog. Here you will find the composer's complete and extensive song catalogue , audio clips , videos , filmography , photos , biography , books , and more.

  5. Jan 10, 2023 · Ich hört's in meinen Ohren gell'n: 'Tu's nicht, was da gedruckt!"' Doch Sie könn' sich garnicht vor stell'n. also, wie das Hanne juckt. Der Zug, der fuhr ganz ruhig. Die Bremse sah mich an. Ich dachte noch: 'Was tu ich?' Da war die Hand schon dran. In meinen Adern sang es. Mein Herz wie rasend schlug. Mich konnt ich nicht mehr bremsen.

  6. As "Frederick Hollander", he also wrote the semi-autobiographical novel Those Torn From Earth, released in 1941, which details the flight from Germany that many Jewish members of the film industry embarked on after the Nazis came to power and instituted the Nuremberg Laws.

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  8. www.thebluegrassspecial.com › archive › 2011The Bluegrass Special

    Marlene Dieterich as Lola-Loa in Josef von Sternberg’s The Blue Angel sings her signature song, ‘Falling in Love Again,’ a 20th Century classic written by young Friedrich Hollaender. Yet as an outspoken progressive satirist, a jazz musician and a Jew, Hollaender was for the Nazis a symbol of Weimar decadence and intellectual subterfuge.

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