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  1. Oct 13, 2021 · "The Oxford Handbook of Music Psychology is a landmark text providing, for the first time ever, a comprehensive overview of the latest developments in this fast-growing area of research. With contributions from over fifty experts in the field, the range and depth of coverage is unequalled.

  2. Dec 31, 2013 · In book: Psychology of Music (pp.499-550) Edition: 3rd; Chapter: Music and cognitive abilities; Publisher: Elsevier Inc. Editors: Diana Deutsch

  3. But even in the orchestral music of Beethoven in the high Classical period, timbre plays a structuring role at the level of sectional segmentation induced by changes in instrumentation and at the level of distinguishing individual voices or orchestral layers composed of similar timbres.

    • Diana Deutsch
  4. Oct 2, 2014 · The first ten parts present chapters that focus on specific areas of music psychology: the origins and functions of music; music perception, responses to music; music and the brain; musical development; learning musical skills; musical performance; composition and improvisation; the role of music in everyday life; and music therapy.

  5. Dec 4, 2008 · Just these types of factors were identified as the proper locus of meaning in music by Hanslick in the nineteenth century, and cognitively oriented theories of music's meaning as rooted in its structural properties have been proposed by theorists such as Lerdahl (see e.g. Lerdahl 2003).

  6. The cognitive science of music integrates ideas from philosophy, music theory, experimental psychology, neuroscience, anthropology, and computer modeling to answer questions about music’s role in people’s lives.

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  8. The psychology of music is a subfield of psychology that addresses questions of how the mind responds to, imagines, controls the performance of, and evaluates music.

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