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Carlo Crivelli (c. 1430 – c. 1495) was an Italian Renaissance painter of conservative Late Gothic decorative sensibility, [1] who spent his early years in the Veneto, where he absorbed influences from the Vivarini, Squarcione, and Mantegna.
Madonna and Child. Carlo Crivelli Italian. ca. 1480. On view at The Met Fifth Avenue in Gallery 606. Symbols of good and evil appear throughout this exquisitely rendered painting. While the apples and fly symbolize sin, the cucumber and goldfinch reference redemption and the soul.
Carlo Crivelli The Virgin, crowned and richly dressed as Queen of Heaven, sits on a marble throne. She comes from a polyptych (a multi-panelled altarpiece) which Crivelli painted in 1476 for the high altar of the church of San Domenico, in Ascoli Piceno in the Italian Marche.
Carlo Crivelli (born c. 1430/35, Venice [Italy]—died c. 1494/95, Ascoli Piceno, Marche) was probably the most individual of 15th-century Venetian painters, an artist whose highly personal and mannered style carried Renaissance forms into an unusual expressionism.
- The Editors of Encyclopaedia Britannica
This painting, showing the Virgin and Child enthroned between Saints Francis and Sebastian, was the central panel of an altarpiece made for a family chapel in the Franciscan church at Fabriano, in the Italian Marches. At Francis’s foot, a stout little figure in widow’s dress is being presented to the Virgin Mary: she is Oradea Becchetti ...
Madonna and Child Enthroned. On view at The Met Fifth Avenue in Gallery 537. These three panels are from an altarpiece painted for a Dominican church in the Marchigian town of Ascoli Piceno. It is possible that the child was originally shown reaching for a flying bird, his frequent attribute.
Biography. Born around 1435 in Venice, son of Jacopo and elder brother of Vittore, both painters, Carlo Crivelli gained his initial training through contact with the late Gothic manner of Jacobello del Fiore, Jacopo Bellini, Antonio Vivarini and Giovanni d’Alemagna, whose works he was able to study in depth before encountering the innovations ...
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