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John Sharpless (Burk Sharpless only) Matt Sazama and Burk Sharpless are American writers best known for writing films together. After box office successes like Dracula Untold (2014) and The Last Witch Hunter (2015), Sazama and Sharpless wrote Gods of Egypt (2016), Morbius (2022) and Madame Web (2024), all of which became box office bombs and ...
Nov 30, 2021 · Showrunner Zack Estrin and Executive Producers Matt Sazama and Burk Sharpless spoke with Screen Rant about the changes each Robinson grapples with in the final season, and what's in store for the legacy of the franchise. Screen Rant: It's been a hot minute since we've had Lost in Space in our lives, and so much has changed in the world.
- Tatiana Hullender
- PR Coordinator
STORY BY: Kerem Sanga and Matt Sazama & Burk Sharpless Also interesting to note that Amy Pascal is not credited as a producer. She has been a producer for every Spider-Man movie since Homecoming (MCU trilogy + Spider-Verse trilogy) and all 3 Venom films, but she is not listed for Morbius, Kraven or Madame Web.
Dec 31, 2021 · With Lost in Space Season 3 now streaming on Netflix, I recently spoke with creator/showrunner/executive producer Zack Estrin, and executive producers Matt Sazama and Burk Sharpless about making ...
- Steven Weintraub
- Editor-In-Chief
Feb 14, 2024 · Madame Web director S. J. Clarkson has explained why she and co-writers Matt Sazama, Burk Sharpless, and Claire Parker altered an iconic Spider-Man line for the new movie.
Jun 6, 2018 · Matt Sazama and Burk Sharpless are most well-known for having written “ Gods of Egypt ,” the new “ Power Rangers ,” and “ The Last Witch Hunter .”. Here are a few questions from the interview: “ Tell me a little bit about both of your histories with this franchise. Was the original Lost In Space a big part of your TV experience as ...
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Dec 23, 2019 · Sharpless and his co-creators felt there was a definite hook in revisiting the notion of Swiss Family Robinson in space in a long-form television format, but they were also cognizant of perhaps not falling into the trap of the 1998 film remake, which was both critically reviled and a box office disappointment.
