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  1. Paul Cézanne (/ seɪˈzæn / say-ZAN, UK also / sɪˈzæn / siz-AN, US also / seɪˈzɑːn / say-ZAHN; [ 1 ][ 2 ]French: [pɔl sezan]; 19 January 1839 – 22 October 1906) was a French Post-Impressionist painter whose work introduced new modes of representation and influenced avant-garde artistic movements of the early 20th century, whose work ...

  2. Jan 19, 2021 · A guide to Paul Cézanne's life and career, from his time under the tutelage of Pissarro to the creation of his Mont Sainte-Victoire series.

    • Claire Selvin
    • What is Cézanne & son oeuvre?1
    • What is Cézanne & son oeuvre?2
    • What is Cézanne & son oeuvre?3
    • What is Cézanne & son oeuvre?4
    • What is Cézanne & son oeuvre?5
  3. Apr 2, 2014 · Post-Impressionist French painter Paul Cézanne is best known for his incredibly varied painting style, which greatly influenced 20th-century abstract art.

  4. Around 200 of Cezanne’s works depict male and female nude bathers, either singly or in groups, in a landscape. This large painting is one of three pictures of female bathers that Cezanne worked on during the final decade of his life. They represent the culmination of his lifelong investigation of...

  5. Paul Cézanne was the preeminent French artist of the Post-Impressionist era, widely appreciated toward the end of his life for insisting that painting stay in touch with its material, virtually sculptural origins.

    • French
    • January 19, 1839
    • Aix-en-Provence, France
    • October 22, 1906
  6. Sep 27, 2024 · Paul Cézanne is known for his search for solutions to problems of representation. Such landscapes as Mont Sainte-Victoire (c. 1902–06) have the radical quality of simultaneously representing deep space and flat design. He is also famous for his many still lifes and portraits, including Madame Cézanne in a Red Armchair (c. 1877).

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  8. Cézanne produced a number of sketches of his son Paul, as well as several paintings. This portrait is the most ambitious and the most accomplished of the portraits of his young son. Paul appears to be seated on the arm of an armchair, only the back of which is painted on the right of a plain background.

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