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  2. New wave is a music genre that encompasses pop -oriented styles from the 1970s through the 1980s. It is considered a lighter and more melodic "broadening of punk culture ". [4] It was originally used as a catch-all for the various styles of music that emerged after punk rock.

  3. New wave, category of popular music spanning the late 1970s and the early 1980s. Taking its name from the French New Wave cinema of the late 1950s, this catchall classification was defined in opposition to punk (which was generally more raw, rough edged, and political) and to mainstream “corporate”.

    • Stephen Seddon
  4. Find Punk/New Wave Albums, Artists and Songs, and Hand-Picked Top Punk/New Wave Music on AllMusic.

    • Elvis Costello, ‘My Aim is True’ Melding the swagger of 1950s rock’n’roll with the raw energy of punk, Elvis Costello’s 1977 debut encapsulates the spirit of new wave.
    • Television, ‘Marquee Moon’ (1977) Advertisement. Along with the Ramones and Blondie, Television made their name playing at the New York dive venue CBGB – and from the beginning they stuck out from the crowd they ran in.
    • The Cars, ‘The Cars’ (1978) The Cars’ first single ‘Just What I Needed’ name-checked both the Velvet Underground (the lyric “wasting all my time-time” references their song ‘Sister Ray’) and bubblegum outfit Ohio Express – and it’s indicative of the group’s approach as a whole.
    • Blondie, ‘Parallel Lines’ (1978) Pre-’Parallel Lines’, Blondie were possibly New York City’s most tuneful punks, embracing everything from doo-woppy French yé-yé and 60s pop to the rhythmic pulse of disco.
    • Elvis Costello: My Aim is True (1977) Costello’s debut album bridged the gap between the roiling punk energy of the mid-70s and the staid tradition of literate, intimate, popular songwriting that traces from the Gershwins, Berlin and Porter to Buddy Holly and Lennon/McCartney.
    • Talking Heads: Remain in Light (1980) For their fourth and finest record, the Talking Heads (along with producer/collaborator/all-around musical badass Brian Eno) trotted out their African influences in full force.
    • The Smiths: The Queen Is Dead (1986) If “How Soon Is Now” off The Smiths’ previous album was the starting-pistol shot announcing their intentions to delve into darker territories, then the title track off The Queen Is Dead was rhythmic strafing to the same effect.
    • Blondie: Parallel Lines (1978) The wondrous pop, rock and disco songs on Parallel Lines weren’t supposed to exist on one single album. To imagine it is to put “The Loco-Motion,” “I Wanna Be Your Dog” and “Staying Alive” on a mixtape and pronounce it a band.
  5. May 21, 2023 · Louder. A beginner's guide to new wave in five essential albums. By Stephen Hill. published 21 May 2023. From punk rock to pure pop, new wave saw it all: here, the story of how it happened, told by the records that defined the genre. (Image credit: Press)

  6. Both punk and new wave wanted to get back to the focus and drive of early rock, largely in reaction to the excesses of the mid-’70s—the ponderous rhythms, smoke machines and seemingly endless...

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