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    • American songwriting partnership

      • Rodgers and Hart were an American songwriting partnership between composer Richard Rodgers (1902–1979) and the lyricist Lorenz Hart (1895–1943). They worked together on 28 stage musicals and more than 500 songs from 1919 until Hart's death in 1943.
      en.wikipedia.org/wiki/Rodgers_and_Hart
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  2. Rodgers and Hart were an American songwriting partnership between composer Richard Rodgers (19021979) and the lyricist Lorenz Hart (1895–1943). They worked together on 28 stage musicals and more than 500 songs from 1919 until Hart's death in 1943.

  3. Mar 21, 2013 · The story of the irresistible and tragic Lorenz Hart, of his collaboration with the more grounded and less exuberant Richard Rodgers, and of the Broadway musical comedy from the twenties to the...

  4. en.wikipedia.org › wiki › Lorenz_HartLorenz Hart - Wikipedia

    Lorenz Milton Hart (May 2, 1895 – November 22, 1943) was an American lyricist and half of the Broadway songwriting team Rodgers and Hart. Some of his more famous lyrics include " Blue Moon "; " The Lady Is a Tramp "; " Manhattan "; " Bewitched, Bothered and Bewildered "; and " My Funny Valentine ".

  5. Rodgers and Hart. American composer Richard Rodgers (1902-1979) and lyricist/librettist Lorenz Hart (1895-1943) were one of America's most successful composer/lyricist teams in the golden age of American songwriting. Their works for the musical theater produced a cornucopia of lasting songs.

  6. Jul 13, 2022 · Richard Rodgers and Lorenz Hart (also known as Larry Hart) were a successful musical theatre writing duo known for their musical comedies and rom-coms between the 1920s and 40s. Together they wrote over 30 musicals for stage and Hollywood!

  7. Jun 11, 2013 · The subject of all those statements is Lorenz "Larry" Hart, the gay man who was the primary writing partner to composer Richard Rodgers in the 1920s and '30s, preceding Rodgers's other...

  8. Just as Richard Rodgers found it easy to write a good melody, so Lorenz Hart knew about constructing verse – he was generally known as the ‘Poet of Broadway’, choreographer George Balanchine called him the ‘Shelley of America’, and his middle name was, after all, Milton.