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  1. Residence Trompe-l'oeil, Champoluc. Reserva sem custos. Ótimas tarifas.

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      • Trompe-l'œil (French for 'deceive the eye'; / trɒmpˈlɔɪ / tromp-LOY; French: [tʁɔ̃p lœj] ⓘ) is an artistic term for the highly realistic optical illusion of three-dimensional space and objects on a two-dimensional surface.
      en.wikipedia.org/wiki/Trompe-l'œil
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  2. Dec 28, 2023 · Trompe l’oeil is an artistic method of creating a visual illusion that makes elements of the painting come to life in the eyes of the viewer. Trompe l’oeil is a French term that translates as deceiving the eye, which explains its essence.

  3. Trompe-l'œil ( French for 'deceive the eye'; / trɒmpˈlɔɪ / tromp-LOY; French: [tʁɔ̃p lœj] ⓘ) is an artistic term for the highly realistic optical illusion of three-dimensional space and objects on a two-dimensional surface.

  4. Nov 17, 2022 · Through the centuries, the playful spirit is just as strong a connection as the visual. Sebastian Stoskopff's 17th-Century Trompe l'Oeil (Galatea) is a painting masquerading as an...

  5. Apr 5, 2024 · Trompe-l’oeil, which translates to “deceive the eye” in French, is a technique in art that creates the illusion of three-dimensional objects or scenes on a two-dimensional surface. This form of visual trickery has been used by artists for centuries to captivate viewers and challenge their perception of reality.

  6. Dec 16, 2016 · If you love art, you’ve surely come across the term trompe l’oeil. It’s often defined simply by explaining that the words are French for “fool the eye,” but that doesn’t really tell the whole story.

  7. Apr 13, 2023 · For centuries, artists have pushed themselves, crossing boundaries to bring audiences spectacular works of art. And why not? Techniques such as trompe l’oeil have been key to those efforts. From giant animals painted on sidewalks using perspective to paintings of drawings nailed to a board, is there a stopping point?

  8. This exhibition traces the history of the representation of reality in the arts and seeks to pay tribute to a little-known facet of the Museum’s collections, while shining a light on Jules and Paul Marmottan’s penchant for this pictorial genre.

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