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  1. en.wikipedia.org › wiki › 1976_(film)1976 (film) - Wikipedia

    1976 ( Mil novecientos setenta y seis ), also known as Chile '76 in North America, is a 2022 Chilean-Argentine drama film [2] directed by Manuela Martelli in her directorial debut, [3] with a screenplay co-written by Martelli and Alejandra Moffat. The film premiered on 26 May 2022, in the Directors' Fortnight section at the Cannes Film Festival ...

  2. Mar 23, 2023 · Workmen in Carmen’s house speak in hushed tones of disappeared persons, and a radio programme that Carmen listens to in the car supports the crackdown on political dissent. Gradually, the film’s mood takes a more ominous turn. Tensions flare at the dinner table between Carmen’s son Tomás and son-in-law Pedro over the regime’s modus ...

  3. May 26, 2022 · The film’s colour palette is one of reassurance; muted browns and warm reds feature in solid old sofas and dark wooden panels. Kuppenheim’s Jackie O elegance and striking wardrobe make a ...

  4. Sep 8, 2022 · An unnervingly brilliant portrait of the ways in which the Pinochet dictatorship realised its brute force and pervasive influence, from debut director Manuel...

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    • BFI
  5. en.wikipedia.org › wiki › 1976_in_film1976 in film - Wikipedia

    February 23. Aaron Aziz, Singaporean actor, singer and film director. Kelly Macdonald, Scottish actress. February 25 – Rashida Jones, American actress, director, writer, and producer. February 28 - Ali Larter, American actress and model. February 29 - Ja Rule, American rapper and actor.

  6. www.imdb.com › list › ls0642886461976 Films - IMDb

    1. Taxi Driver (1976) R | 114 min | Crime, Drama. A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action. Director: Martin Scorsese | Stars: Robert De Niro, Jodie Foster, Cybill Shepherd, Albert Brooks.

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  8. Jun 7, 2022 · Martelli carefully crafts an air of almost casual dread. The sea by the beach house looks not like a welcoming holiday spot but something more impassive but potentially dangerous when caught on Soledad Rodríguez’s camera. As Carmen finds herself on elaborate “missions” we can sense the frisson but also the fear, a paranoia that, Carmen ...

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