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  2. The UK actor’s guide to how to audition, how to get auditions, how to prepare for auditions, what to wear to auditions, and more.

  3. www.starnow.comStarNow

    Find and apply to over 5,000 casting calls, auditions and roles on StarNow, the most trusted platform for actors and models. Start and get cast today!

    • Benjamin Lindsay
    • Casting Director. Casting directors are the gatekeepers to your next gig as an actor. They’re the first people who will see you at work—whether that’s on-camera or in-person in the audition room—before handing you off to the director, writer, producers, and the rest of the creative team.
    • Casting Associate. Casting directors don’t do it alone, however. They have a team of casting associates working under them to help streamline the process and cut a stack of a thousand candidates to a couple hundred.
    • Agents and Managers. If you’re a working actor with representation with a talent agency or if you have a personal manager to help keep your life and career in fuss-free order, you’re already at an advantage in the world of auditioning.
    • Accompanist. An accompanist has one job and one job only in the audition room: play your 16 bars in a way that puts your singing in the best light possible.
    • The Audition Room
    • Audition Materials
    • The Details
    • The Roles
    Cold read: Reading and/or performing a script without preparing or memorizing the linesfirst. Sometimes in an audition, the team will give an actor different lines, a new scene, or another part to...
    In character: When an actor continues to act as the character they were performing when not officially performing the scene in an audition or between takes on a film or television set.
  4. Matt Crawford 0. A casting audition, also called an open call, is when a casting director, producer or director holds a session where actors come in person to audition for a role in a movie, television show or theatrical production.

  5. An audition for a Chekhov or Ibsen, is different to an audition for a modern play. Obviously connection, engagement, stakes and emotional access are important for any audition, but having an understanding of period and style will ensure you pitch the audition correctly.

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