Max Bialystock
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The Producers is a 1967 American satirical black comedy film. It was written and directed by Mel Brooks, and stars Zero Mostel, Gene Wilder, Dick Shawn, and Kenneth Mars. The film is about a con artist theater producer and his accountant who scheme to get rich by fraudulently overselling interests in a stage musical purposely
- Estelle Winwood
Her other film credits include Darby O'Gill and the Little...
- Christopher Hewett
Career. Hewett was born in Worthing, Sussex to Christopher...
- Kenneth Mars
Kenneth Mars (April 4, 1935 – February 12, 2011) was an...
- Renée Taylor
Early years. Taylor was born on March 19, 1933, in The...
- Film
The Producers is a 2005 American musical comedy film...
- William Hickey
William Edward Hickey (September 19, 1927 – June 29, 1997)...
- Estelle Winwood
A down-on-his-luck Broadway producer, Max Biolystock (Zero Mostel), is reduced to funding his shows by romancing old ladies for cash. Enter neurotic accountant Leo Bloom (Gene Wilder), arriving at Biolystock's apartment to do his books.
- (60K)
- Comedy, Music
- Mel Brooks
- 1968-11-10
The Producers is a 1967 American satirical comedy film written and directed by Mel Brooks and starring Zero Mostel, Gene Wilder, Dick Shawn, and Kenneth Mars. The film was Brooks' directorial debut, and he won an Academy Award for Best Original Screenplay.
- Mel Brooks
The Producers is a 1967 American satirical dark comedy cult classic movie written and directed by Mel Brooks. The movie tells the story of a theatrical producer and an accountant who want to produce a Broadway musical, but they want it to fail.
The Producers is a 1967 comedy film written and directed by Mel Brooks; it stars Zero Mostel as failed Broadway producer Max Bialystock and Gene Wilder as fearful accountant Leo Bloom.
Playing a Broadway producer of flops who survives (barely) by suckering little old ladies, he teams with an emotionally retarded accountant portrayed by Gene Wilder in a scheme to produce a flop...
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THE PRODUCERS (1967) - Mel Brooks' first feature film starts with the funniest opening credits sequence I've ever seen - a monetarily motivated rendezvous between a serial Broadway failure and a sexually insatiable octogenarian - and then proceeds to get even more hilarious as it progresses.
