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  1. Find helpful customer reviews and review ratings for The Lady Eve at Amazon.com. Read honest and unbiased product reviews from our users.

  2. Find helpful customer reviews and review ratings for The Lady Eve (The Criterion Collection) at Amazon.com. Read honest and unbiased product reviews from our users.

  3. Amazon.co.uk Review In 1941, Barbara Stanwyck was offered two screwball roles equally suited to her tart intelligence, deft comic timing, and undeniable sex appeal, and it's a photo finish as to which was funnier--showgirl-on-the-lam Sugarpuss O'Shea, the title character in Howard Hawks's Ball of Fire , or con artist Jean Harrington a.k.a. Lady Eve Sidwich, the delirious fulcrum for this ...

    • (276)
    • English
    • PAL, Dolby, Black & White, Mono, Full Screen
    • 1 hour and 29 minutes
  4. I may be biased, but this is my favorite movie. This is the movie that made me love Barbara Stanwyck and old movies. The scene Jean (Stanwyck) looks into her mirror and begins to dictate the unassuming Hopsie's (Fonda) life showed me the kind of power Stanwyck could have over an audience as an actress, and Sturges could as a writer/director.

  5. en.wikipedia.org › wiki › The_Lady_EveThe Lady Eve - Wikipedia

    The Lady Eve was released on home video in the United States on July 12, 1990, and was rereleased on June 30, 1993. [10] Despite issues with the condition of the surviving original film elements, the film was scanned in 4K and issued on Blu-ray disc by Criterion on July 14, 2020.

  6. Jul 21, 2020 · The Lady Eve opens with Charles Pike (Henry Fonda), the son of a wealthy ale magnate, returning home to the U.S. via ship after spending a year up the Amazon researching his beloved snakes. Practically all of the young women on the ship have their eye on this well-known and obscenely rich single man, but he finds all the attention rather ...

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  8. Oct 15, 2001 · Preston Sturges’ The Lady Eve is some kind of great movie. And yet, like most of the best Hollywood movies of its time, its emotional range is narrow, it makes almost no pretensions to observation of American life or to social satire, its characterization is almost nil and its conflicts a clash of stereotypes. It is, in short, “classic” Hollywood and so has none of the features by which ...

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