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  1. Jun 24, 2016 · After hearing me talk about David Fincher’s abandoned animated “400 Boys” project (part of an attempt to revive Heavy Metal as a 3D feature) on The Outer Dark podcast (listen in for the full story), Anya Martin of that very same podcast contacted Raymond Swanland and managed to get permission to post two pieces of concept art. There’s ...

  2. Aug 28, 2017 · Laidlaw's purely cosmetic obfuscation of names and places feels like gentle mockery of everyone involved; one last mystery for the fans to decode. The mystique is broken now.

    • John Brindle
  3. And while the r/vinyltoys title implies that pieces produced in vinyl are the sole topic, all forms of contemporary art rendered as toys are valid, regardless of the medium used (including resin, plush/soft sculpture, etc).

  4. Apr 23, 2014 · In the story, Marc Laidlaw dissects the bathroom of Diane Arbus to capture slices of her personality and imbue them with the supernatural. Throughout, Laidlaw subtly inserts details of Arbus’ character. The pinned photographs around the apartment, her propensity for making spontaneous appointments.

  5. en.wikipedia.org › wiki › Marc_LaidlawMarc Laidlaw - Wikipedia

    Marc Laidlaw is an American writer. He is a former lead writer for the video game company Valve, where he worked on the Half-Life series before his departure in 2016. Before joining Valve, Laidlaw was a novelist working in the fantasy and horror genres, and in 1996 won the International Horror Guild Award for his novel The 37th Mandala.

  6. Browse Getty Images' premium collection of high-quality, authentic Marc Laidlaw stock photos, royalty-free images, and pictures. Marc Laidlaw stock photos are available in a variety of sizes and formats to fit your needs.

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  8. May 20, 2016 · Gradually he found the glossy bright snaps of death becoming utterly strange to him, unlike his other photographs which became more commonplace as he worked them over. These were beautiful, like paintings done in silver; morbid but alive in the way only photographs are alive.

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