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May 26, 2020 · A quick crash course in Jerome Robbins’ dance style: best known for his blend of musical theater and ballet styles, Robbins emphasized character work, relationships, and emotion in his dances. Above all, he wanted his choreography to be authentic and relevant.
Jerome Robbins’ synthesis of both Jack Cole and Agnes de Mille’s styles will be examined. Robbins’ style combines de Mille’s narrative use of ballet and modern dance with Jack Cole’s ethnic-infused modern-jazz style.
Aug 7, 2021 · Students are guided to explore the style and create their own Robbins motif and then evaluate another persons. This is an easy to follow lesson and can be included in your A Level SOW on the optional area of study - Jazz. I have also included a resource on major jazz contributors in for reference.
Jerome Robbins was one of the most popular and imaginative American choreographers of the 20th century. Robbins was first known for his skillful use of contemporary American themes in ballets and Broadway and Hollywood musicals.
- The Editors of Encyclopaedia Britannica
‘ The King and I’ is another piece from Jerome Robbins where many stylistic features can be seen. He expertly uses group formations and dynamics to create visually stunning and impactful dance sequences.
Dec 23, 2021 · The chapter includes analysis of selected Robbins’ choreography in what I consider the first phase of his Broadway career: On the Town (1944), Billion Dollar Baby (1945), High Button Shoes (1947), Look, Ma, I’m Dancin’! (1948), Miss Liberty (1949), Call Me Madam (1950), and The King and I (1951).
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The Jerome Robbins Catalogue is a database that chronicles every known work created by Jerome Robbins, whether on a stage or on a screen. The listing organizes the material chronologically and outlines the span of his creativity over more than fifty years, from Fancy Free, choreographed for Ballet Theatre in 1944, to Brandenburg, choreographed ...
