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- Ashes to Ashes is essentially a brick, with no illustrations and confusing formatting. That said, the beauty of a book like this is you can skim and skip around, passing over the albums you don't know or don't like (Hours, anyone? Reality ?) and diving deep into the corners of the canon that you most adore.
www.thecurrent.org/feature/2020/01/07/david-bowie-ashes-to-ashes-book-reviewRock and Roll Book Club: 'Ashes to Ashes: The Songs of David ...
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Sep 22, 2014 · Ashes to Ashes by Jenny Han and Siobhan Vivian is the third book in their Burn for Burn series, and it wraps up the trilogy with an explosive ending.
Jan 7, 2020 · O'Leary's discussion of "Ashes to Ashes" is a typically insightful passage from a fascinating book, a 2019 publication that's well worth dipping into as we mark what would have been Bowie's 73rd birthday. It's the second volume of a career-spanning set that began with Rebel Rebel, a song-by-song guide to the first part of Bowie's oeuvre.
'Ashes To Ashes' by Chris O'Leary. This is a superb David Bowie book, analysing in great depth all of the songs DB ever recorded. Adopting a song by song approach, O'Leary's attention to detail is amazing, examining the meaning of, and background to the writing of, each song.
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- Chris O'Leary
Aug 1, 2021 · The first single from Bowie’s 14th album Scary Monsters (and Super Freaks), ‘Ashes To Ashes’ defied all the odds and became a UK number one. Given the song’s compositional aspects, this is an incredible feat.
"Ashes to Ashes" is a song by the English singer-songwriter David Bowie from his 14th studio album, Scary Monsters (and Super Creeps) (1980). Co-produced by Bowie and Tony Visconti, it was recorded from February to April 1980 in New York and London and features guitar synthesiser played by Chuck Hammer.
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Oct 6, 2017 · His 1979 album, Lodger, wrapped up a groundbreaking, three-album collaboration with Brian Eno that had yielded his most acclaimed work to date, including the full-lengths Low and "Heroes."
Aug 23, 2022 · Like the single itself, Ashes To Ashes’ parent album also topped the charts in the UK, signalling what Melody Maker called Bowie’s “eerily impressive stride into the 80s”. For Bowie, that was very much the point.
