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Ellsworth Kelly (May 31, 1923 – December 27, 2015) was an American painter, sculptor, and printmaker associated with hard-edge painting, Color field painting and minimalism. His works demonstrate unassuming techniques emphasizing line, color and form, similar to the work of John McLaughlin and Kenneth Noland.
Oct 13, 2011 · Ellsworth Kelly (May 31, 1923 – December 27, 2015) was an American painter, sculptor, and printmaker associated with hard-edge painting, Color field painting and minimalism. His works demonstrate unassuming techniques emphasizing line, color and form, similar to the work of John McLaughlin and Kenneth Noland.
Ellsworth Kelly (May 31, 1923 – December 27, 2015) was an American painter, sculptor, and printmaker associated with hard-edge painting, Color field painting and minimalism. His works demonstrate unassuming techniques emphasizing line, color and form, similar to the work of John McLaughlin and Kenneth Noland. Kelly often employed bright colors.
Ellsworth Kelly (May 31, 1923 – December 27, 2015) was an American painter, sculptor, and printmaker associated with hard-edge painting, Color Field painting and minimalism. His works demonstrate unassuming techniques emphasizing line, color and form, similar to the work of John McLaughlin and Kenneth Noland. Kelly often employed bright colors.
- American
- May 31, 1923
- Newburgh, New York, United States
May 27, 2024 · Ellsworth Kelly (born May 31, 1923, Newburgh, New York, U.S.—died December 27, 2015, Spencertown, New York) was an American painter, sculptor, and printmaker who was a leading exponent of the hard-edge style, in which abstract contours are sharply and precisely defined.
Ellsworth Kelly is regarded as one of the most important abstract painters, sculptors and printmakers of his time. Spanning seven decades, his career was marked by the independent route he took from any formal school or art movement and by his innovative contribution to twentieth-century painting and sculpture.
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Ellsworth Kelly has been a widely influential force in the post-war art world. He first rose to critical acclaim in the 1950s with his bright, multi-paneled and largely monochromatic canvases.
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