Search results
Big Joe Williams, Smithsonian Folklife Festival, 1976. Williams remained a noted blues artist in the 1950s and 1960s, when his guitar style and vocals became popular with folk blues fans. He recorded for Trumpet, Delmark, Prestige, Vocalion and other labels. He became a regular on the concert and coffeehouse circuits, touring Europe and Japan ...
Real Name: Joseph Lee Williams. Profile: Born : October 16, 1903 // Crawford, MS, United States. Died : December 17, 1982 // Macon, MS, United States. Joseph Lee Williams, billed throughout his career as Big Joe Williams, was an American Delta blues guitarist, singer and songwriter, notable for the distinctive sound of his nine-string guitar.
Big Joe Williams' various recordings inspired other blues musicians to record their interpretations of the song and it became a blues standard. Early examples include Papa Charlie McCoy as "Tampa Kid" (1936), Leonard "Baby Doo" Caston (1939), Lightnin' Hopkins (1947), John Lee Hooker (1949), and Big Bill Broonzy (1952). [14]
Apr 19, 2020 · Provided to YouTube by The Orchard EnterprisesBaby Please Don't Go · Big Joe WilliamsGoing Back to Crawford℗ 1999 Smithsonian Folkways Recordings. Originally...
- 3 min
- 35K
- Joe Williams - Topic
Nov 22, 2018 · Big Joe Williams at the Bagneux Festival 1971. For other Country Blues videos go to: https://stefan-grossmans-guitar-workshop.webflow.io/stefan-grossmans-gui...
- 2 min
- 22K
- GtrWorkShp
Big Joe Williams was a Delta blues pioneer who originated "Baby Please Don't Go." Learn more about his life, career, and discography on AllMusic, a comprehensive music information site.
People also ask
Who was Big Joe Williams?
What did Big Joe Williams look like?
Who is Joseph Lee Williams?
What songs did Joe Williams sing?
When was Big Joe Williams inducted into the Blues Hall of Fame?
What guitar did Big Joe play?
Big Joe Williams. Big Joe played a 9-string guitar which he pounded, slapped and drove like a demented downhill slalom through a thicket of seminal Delta blues, singing in a gutsy, raw, emotion- exhausting voice. Many of his songs were loosely constructed around the beaten chassis of a familiar Mississippi tune or riff, but in his hands they ...
