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L'Immortelle: Directed by Alain Robbe-Grillet. With Françoise Brion, Jacques Doniol-Valcroze, Guido Celano, Ayfer Feray. A sad man meets a beautiful, secretive woman who may or may not be involved in some conspiracy ring dealing in kidnapped women used as prostitutes.
- (1.4K)
- Drama, Mystery
- Alain Robbe-Grillet
- 1963-03-27
L'Immortelle is a 1963 international co-produced drama film directed by Alain Robbe-Grillet, his first feature after the worldwide success of Last Year at Marienbad which he wrote. Entered into the 13th Berlin International Film Festival, it also won the Prix Louis Delluc.
L'Immortelle is about a French professor who takes a teaching post in Istanbul and finds himself in an alien society. As there are many tourists who travel to this area because of a fascination with the Byzantine era, the natives play up that aspect of their culture for everyone.
L’Immortelle. 1963. Directed by Alain Robbe-Grillet. A melancholy man meets a stunning, mysterious woman while he is traveling, and discovers she may or may not be involved in a prostitution ring. She disappears after their relationship lasts a few days, and though he searches for her, those around him pretend not to know who he is speaking of.
- (1.7K)
- Alain Robbe-Grillet
Aug 24, 2011 · L’Immortelle is an amazing debut, a sustained effort in the art of confusing the viewer. Robbe-Grillet enchants, surprises and torments with the dazzling procession of sounds, sights and expectations that constitute this cinematic labyrinth. Director: Alain Robbe-Grillet
A melancholy man meets a stunning, mysterious woman while he is traveling, and discovers she may or may not be involved in a prostitution ring. She disappears after their relationship lasts a few days, and though he searches for her, those around him pretend not to know who he is speaking of.
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Mystery. Drama | Surrealism. Experimental Cinema. Synopsis. With its highly stylized camerawork and fragmented narrative structure, Alain Robbe-Grillet's L'immortelle is a cinematic arabesque that teases the eye with visual delights, yet sadistically confounds the viewer's expectations.
