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The Crowd is a 1928 American silent romance film directed by King Vidor and starring James Murray, Eleanor Boardman and Bert Roach. The feature film was nominated at the first Academy Award presentation in 1929 for several awards, including Unique and Artistic Production for MGM and Best Director for Vidor. [2]
The Crowd: Directed by King Vidor. With Eleanor Boardman, James Murray, Bert Roach, Estelle Clark. The life of a man and woman together in a large, impersonal metropolis through their hopes, struggles, and downfalls.
- (9.2K)
- Drama, Romance
- King Vidor
- 1928-03-03
Jun 7, 2022 · The Crowd is a 1928 American silent romance film directed by King Vidor and starring James Murray, Eleanor Boardman and Bert Roach. The feature film was nominated at the very first Academy Award presentation in 1929, for several awards, including Unique and Artistic Production for MGM and Best Director for Vidor.
- 90 min
- 1938
- MinimalisT ChanneL
John, an ambitious but undisciplined New York City office worker, meets and marries Mary. They start a family, struggle to cope with marital stress, financial setbacks, and tragedy, all while lost amid the anonymous, pitiless throngs of the big city.
This present offering bears the title of "The Crowd," and its story is the result of the combined imaginings of Mr. Vidor and John V. A. Weaver. It is, on the whole, a powerful analysis of a young couple's struggle for existence in this city.
- 94 min
Two years after The Big Parade, Vidor directed novice actor James Murray in The Crowd, a realistic film about an ordinary man trying his best to survive the defeats and setbacks he encounters while trying to make a life for himself and his wife in the bustling metropolis of New York. Vidor wanted an actor who was the perfect embodiment of a ...
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The Crowd (1928) is a genuine, immortal, timeless American silent film masterpiece from director King Vidor, whose earlier big WWI epic The Big Parade (1925) had been a major box-office hit for MGM studios. It was shepherded by MGM's "Boy Wonder" producer Irving Thalberg, although studio head Louis B. Mayer hated the film.
