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  1. Box office. $13.2 million [ 1] Bonjour Tristesse (French "Hello, Sadness") is a 1958 British-American Technicolor film in CinemaScope, [ 2] directed and produced by Otto Preminger from a screenplay by Arthur Laurents based on the novel of the same name by Françoise Sagan. The film stars Deborah Kerr, David Niven, Jean Seberg, Mylène Demongeot ...

  2. Bonjour Tristesse: Directed by Otto Preminger. With Deborah Kerr, David Niven, Jean Seberg, Mylène Demongeot. Spoiled Cecile, 17, spends her summer at the French Riviera with her rich, widower, playboy dad and Elsa.

    • (5.7K)
    • Drama, Romance
    • Otto Preminger
    • 1958-02
  3. Apr 20, 2020 · Watch the original trailer of Bonjour Tristesse, a 1958 drama film based on the novel by Françoise Sagan. The film stars Deborah Kerr, David Niven and Jean Seberg as a troubled family in the ...

    • 5 min
    • 66.1K
    • HD Retro Trailers
  4. 1954. Publication place. France. Published in English. 1955. Bonjour Tristesse (English: "Hello Sadness") is a novel by Françoise Sagan. Published in 1954, when the author was only 18, it was an overnight sensation. The title is derived from a poem by Paul Éluard, "À peine défigurée", which begins with the lines "Adieu tristesse/Bonjour ...

    • Françoise Sagan
    • 1954
  5. Bonjour Tristesse. Anne (Deborah Kerr) travels to the French Riviera to visit Raymond (David Niven), the wealthy husband of her recently deceased friend. His pampered daughter, Cecile (Jean Seberg ...

    • (24)
    • Deborah Kerr
    • Otto Preminger
    • Drama
    • Bonjour Tristesse movie1
    • Bonjour Tristesse movie2
    • Bonjour Tristesse movie3
    • Bonjour Tristesse movie4
    • Bonjour Tristesse movie5
  6. Overview. Cecile is a decadent young girl who lives with her rich playboy father, Raymond. When Anne, Raymond's old love interest, comes to Raymond's villa, Cecile is afraid for her way of life. Otto Preminger. Director.

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  8. Aug 27, 2013 · Seen entirely through 17-year-old Cecile’s eyes, the film is as unpredictable and emotionally jarring as its teenage heroine: first we love Anne, then loathe her, then pity her, while Niven’s ...

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