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  1. en.wikipedia.org › wiki › Abel_GanceAbel Gance - Wikipedia

    Abel Gance ( French: [gɑ̃s]; born Abel Eugène Alexandre Péréthon; 25 October 1889 – 10 November 1981) was a French film director, producer, writer and actor. A pioneer in the theory and practice of montage, he is best known for three major silent films: J'accuse (1919), La Roue (1923), and Napoléon (1927).

  2. www.imdb.com › name › nm0304098Abel Gance - IMDb

    Abel Gance was a French writer, director, editor and actor who made experimental and influential silent films such as J'accuse! (1919) and Napoleon (1927). He was born in 1889 and died in 1981, and won a BAFTA Award for his restoration of Napoleon.

    • January 1, 1
    • Paris, France
    • January 1, 1
    • Paris, France
  3. Nov 22, 2023 · In the 1920s, its temporal gigantism horrified producers and its aesthetic invention flustered critics; today, the film’s dimensions pose monumental challenges for restoration and exhibition – let alone evaluation. Napoleon sealed Gance’s reputation, yet its fate haunted the rest of his career.

  4. Feb 21, 2024 · After 16 years of work, the definitive version of Abel Gance's 1927 silent epic Napoleon will premiere in Paris this summer. The restoration uses Gance's production notes and various footage to recreate his original vision, which was previously re-edited numerous times.

    • Jordan Raup
  5. May 13, 2024 · Abel Gance (born October 25, 1889, Paris, France—died November 10, 1981, Paris) was an important director in the post-World War I revival of the French cinema who is best known for extravagant historical spectacles.

    • The Editors of Encyclopaedia Britannica
  6. Nov 4, 2016 · Discover the highlights of Abel Gance's five-and-a-half-hour historical film Napoleon, a breathtaking milestone in film history. Learn about the cinematic innovations, the restoration process and the key sequences of this gargantuan biopic.

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  8. May 14, 2024 · The meta farce, Quentin Dupieux's "The Second Act," was the festival's official opening-night feature. A self-conscious goof centered on actors shooting a film, it gave the fest an opportunity to rib an audience of sitting-duck cinephiles and send them on their way after a mere 80 minutes.