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Blues for Mister Charlie is James Baldwin 's second play, a social commentary drama in three acts. It was first produced and published in 1964. [1] The play is dedicated to the memory of Medgar Evers, his widow and children, and to the memory of the dead children of Birmingham ." [2] It is loosely based on the Emmett Till murder that occurred ...
- James Baldwin
- 1964
Blues for Mister Charlie (1964) is James Baldwin's second play. It is very distantly based on the case of Emmett Till – a 14-year-old African-American who was lynched in Mississippi in 1955, after a white woman said she was offended by him in her family's grocery store.
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Blues for Mister Charlie, tragedy in three acts by James Baldwin, produced and published in 1964. A denunciation of racial bigotry and hatred, the play was based on a murder trial that took place in Mississippi in 1955. “Mister Charlie” is a slang term for a white man. The story concerns Richard.
The Blues for Mister Charlie Community Note includes chapter-by-chapter summary and analysis, character list, theme list, historical context, author biography and quizzes written by community members like you.
Plot Summary. "Blues for Mister Charlie" is a play by American activist and author James Baldwin, first published and produced in 1964. Loosely based on the murder of Emmett Till in Money, Mississippi before the Civil Rights Movement began, it centers on the murder of Richard Henry, a black man who returns to the Southern town where he was born ...
Sep 5, 2023 · Learn how James Baldwin's 1964 play explores the destructive power of racism as a disease and a place in the US South. Discover how he portrays the characters' responses to the murder of Richard, a black teenager, and the role of Christian theology in the play.
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About Blues for Mister Charlie. An award-winning play from one of America’s most brilliant writers about a murder in a small Southern town, loosely based on the 1955 killing of Emmett Till. • “A play with fires of fury in its belly, tears of anguish in its eyes, a roar of protest in its throat.” —The New York Times
