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  1. en.wikipedia.org › wiki › Kiss_Me,_StupidKiss Me, Stupid - Wikipedia

    The screenplay by Wilder and I. A. L. Diamond is based on the play L'ora della fantasia (The Dazzling Hour) by Anna Bonacci, which had inspired Wife for a Night (Moglie per una notte, 1952), an Italian film starring Gina Lollobrigida.

  2. www.sensesofcinema.com › 2020 › cteqKiss Me, Stupid (Billy Wilder, 1964) – Senses of Cinema

    Kiss Me, Stupid. (Billy Wilder, 1964) Skewering celebrity vanity, the allure of success and the obsession with fame, Kiss Me, Stupid (1964) takes a long, hard look at these subjects and is simultaneously fascinated and appalled, amused and aghast at what it sees. The film starts by literally deconstructing an icon of the era, with the name and ...

  3. www.nytimes.com › 1964/12/23 › archivesKiss Me, Stupid' - The New York Times

    KISS ME, STUPID; screenplay by Billy Wilder and I. A. L. Diamond; based on a play, "L'Ors della Fantasia" by Anna Bonacci; produced and directed by Billy Wilder; presented by the Mirisch...

  4. www.popmatters.com › 192753-kiss-me-stupid-aint-so“Kiss Me, Stupid” Is a Sex Comedy That Follows Up on Its ...

    May 22, 2015 · The complicated plot structure of mistaken identities, based on an Italian play by Anna Bonacci, hums along like Dino’s pre-fiddled roadster.

  5. combustiblecelluloid.com › classic › kissmestupidKiss Me, Stupid (1964) - Combustible Celluloid Review

    Written by: Billy Wilder, I.A.L. Diamond, based on a play by Anna Bonacci Directed by: Billy Wilder MPAA Rating: PG-13 Running Time: 125 Date: 12/22/1964

  6. www.goldderby.com › gallery › best-billy-wilderBilly Wilder movies: 25 greatest films ranked worst to best

    Jun 17, 2024 · Screenplay by Billy Wilder and I.A.L. Diamond, based on the play by Anna Bonacci. Starring Dean Martin, Kim Novak, Ray Walston, Felicia Farr, Cliff Osmond. The usually delicate Wilder...

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  8. www.cambridge.org › core › journalsTHE DAZZLING HOUR: AN ITALIAN COMEDY ADAPTED FOR THE AMERICAN ...

    Judging from the number of its theatrical adaptations and the countries in which it was adapted, Anna Bonacci's L'ora della fantasia (The Fantasy Hour) was indeed “the most successful Italian comedy of the postwar era.”