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Good Machine is a venture studio that invents, deploys, and scales solutions to the world’s most pressing problems. It leverages a network of partners and experts to create end-to-end solutions for climate, economic, and social issues.
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Good Machine is a venture studio that invents, deploys, and scales companies that solve the world’s most pressing challenges. Learn about their projects, partners, and events in the fields of climate, sustainability, and biodiversity.
Good Machine Productions was an American independent film production, film distribution, and foreign sales company started in the early 1990 by its co-founders and producers, Ted Hope and James Schamus.
good machine is an award winning public relations consulting firm based in london. the agency represents a carefully curated selection of artists, both established and emergent, providing an innovative framework for ideas in creative fields such as music, art and film. ⚙
- Hannah Mendelsohn
- Janome Sewist 725S. Score: 91/100. This mechanical sewing machine proved a trusty buy that will serve both beginners and more experienced sewers alike. Its seam allowance guides (including one for corner-turning) and threading markings are clear and easy to follow, the bobbin is simple to wind and its one-step buttonhole foot is efficient.
- Pfaff Smarter 160s. Score: 91/100. Keen to cultivate a more sustainable wardrobe? This make do and mend machine comes with a detailed guide to darning and repairing tears.
- Bernina B325. Score: 90/100. If you're after a machine that can stitch words (a grandchild’s name, for example), look to this clever computerised model that allows you to program letters.
- Singer Heavy Duty 4423. Score: 88/100. Singer is an iconic brand, and this sewing machine lived up to its reputation. It sewed brilliantly across the board, competently handling all our test fabrics.
Mar 29, 2010 · TIME MACHINING GOOD MACHINE. by Scott Macaulay. in Filmmaking. on Mar 29, 2010. Ang Lee, Good Machine, James Schamus, New York film, Ted Hope. Last week when I intro’d a piece on Don Hahn and Peter Schneider’s Waking Sleeping Beauty, I wrote that every mid-career filmmaker must desire at some point a better record of his or her early days ...
Good Machine. In Filmmaker‘s Fall, 1995 issue, producer Ted Hope penned a provocative essay, “Indie Film is Dead,” that critiqued multiple elements of the independent film financing, distribution and marketing system.
