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  2. Cinematography (Black-and-White) - Harold Rosson Special Effects - Photographic Effects by A. Arnold Gillespie; Sound Effects by Douglas Shearer

    • Academy Award for Cinematography (Black-and-White) 19411
    • Academy Award for Cinematography (Black-and-White) 19412
    • Academy Award for Cinematography (Black-and-White) 19413
    • Academy Award for Cinematography (Black-and-White) 19414
    • Academy Award for Cinematography (Black-and-White) 19415
  3. The film won Best Picture, making Selznick the first to produce two consecutive winners; its only other win was for Best Cinematography (Black and White), marking the last time to date a film would win Best Picture but not win for either directing, acting, or writing.

  4. From 1939 to 1967 with the exception of 1957, there were also separate awards for color and black-and-white cinematography. After Who's Afraid of Virginia Woolf? (1966), the most recent black-and-white films to win since then are Schindler's List (1993), Roma (2018) and Mank (2020).

  5. The 13th Academy Awards | 1941. Biltmore Bowl of the Biltmore Hotel. Thursday, February 27, 1941. ... Cinematography (Black-and-White) Winner. Rebecca. George Barnes ...

  6. Oscars – Cinematography (Black-and-White) Click through each award to see the full list of nominees and winners!

    • Academy Award for Cinematography (Black-and-White) 19411
    • Academy Award for Cinematography (Black-and-White) 19412
    • Academy Award for Cinematography (Black-and-White) 19413
    • Academy Award for Cinematography (Black-and-White) 19414
    • Academy Award for Cinematography (Black-and-White) 19415
  7. Date of Ceremony: Thursday, February 27, 1941. For films released in: 1940. Host (s): Bob Hope. Nominations List. Other years: < 12th. 14th > There was a lot more anticipation as stars headed into the Biltmore Hotel’s Biltmore Bowl on Thursday, February 27, 1941 for the 13th Annual Academy Awards.

  8. At the Thirteenth Annual Awards Banquet of the Academy of Motion Picture Arts and Sciences, Barnes was proclaimed the winner of the 1940 Academy Award for the year's best black-and-white cinematography, in recognition of his skill in filming "Rebecca."' Premiere honors in the color division went to Georges Perinal, Europe's foremost ...

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