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* Sound Effects Editing - Gary Rydstrom, Gloria S. Borders * Visual Effects - Dennis Muren, Stan Winston, Gene Warren, Jr., Robert Skotak Cinematography - Adam Greenberg
Mar 15, 1992 · This is the Best Sound Effects Editing segment from The 64th Annual Academy Awards in 1992 (honoring the 1991 year in film). Gary Rydstrom and Gloria S. Borders took it for "Terminator...
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- unclejay73
The Academy Award for Best Sound is an Academy Award that recognizes the finest or most euphonic sound mixing, recording, sound design, and sound editing. The award used to go to the studio sound departments until a rule change in 1969 said it should be awarded to the specific technicians.
Films and individuals that have won the Academy Award for Best Sound Editing.
The nominees for the 64th Academy Awards were announced on February 19, 1992, at 5:38 a.m. PST (13:38 UTC) at the Samuel Goldwyn Theater in Beverly Hills, California, by Karl Malden, president of the Academy, and actress Kathleen Turner. Bugsy led all nominees with ten nominations; JFK came in second with eight.
To CLAUS WIEDEMANN and ROBERT ORBAN for the design and DOLBY LABORATORIES for the development of the Dolby Labs ‘Container.’ [Sound] To KEN BATES for the design and development of the Bates Decelerator System for accurately and safely arresting the descent of stunt persons in high freefalls.
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Feb 21, 2022 · In the '80s and '90s, one of two sound awards was called Sound Effects Editing, a title that can be found in a copy of a 1999 Academy press release. The release demonstrates that even...
