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  1. Henry Jacobson began his career as a documentary photographer and cinematographer before transitioning into directing, producing, and writing. In 2013 he partnered with fellow filmmaker Emma Tammi (director of the Blumhouse hit, Five Nights at Freddy's) to create Mind Hive Films, taking their combined experience into new scripted and unscripted collaborations for Film and TV.

    • Director, Producer, Cinematographer
    • 2 min
  2. Sep 26, 2019 · Henry Jacobson talks about his first narrative feature, a dark comedy about a serial killer who becomes a father. He reveals his inspiration, his collaboration with Seann William Scott, and his use of color and music to create tension and ambiguity.

  3. Jul 16, 2005 · Henry Jacobson is not yet a household name. But he wants to be. In 1988, Mr. Jacobson, a Californian who studied to be an artist, created a line of men's silk ties in his two-bedroom Mediterranean ...

  4. Bloodline: Directed by Henry Jacobson. With Seann William Scott, Mariela Garriga, Dale Dickey, Christie Herring. Evan values family above all else, and anyone who gets between him, his wife, and newborn son learns that the hard way.

    • (9.2K)
    • Crime, Horror, Thriller
    • Henry Jacobson
    • 2019-09-20
  5. Language. English. Bloodline is a 2018 American psychological horror film directed by Henry Jacobson. The film was written by Avra Fox-Lerne, Will Honley and Jacobson. It stars Seann William Scott, Mariela Garriga, Dale Dickey, and Kevin Carroll. The film is a co-production between Divide/Conquer and Blumhouse Productions.

  6. Sep 16, 2019 · Starting his career producing documentaries and short films, Henry Jacobson is a successful filmmaker whose work has given him acclaim. His collaboration with Emma Tammi on the 2016 Presidential Election was well received.

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  8. Sep 20, 2019 · Debut director Henry Jacobson pays homage to his cinematic heroes a few times, most notably in some daring split-screen and diopter shots that would make De Palma smile (although even he might argue the “reflection in a knife” trick is overused here). Seeing a low-budget film with this much visual gusto is refreshing, and I enjoyed the way Jacobson and his team used color and shadows ...

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