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  2. 4 days ago · Through a blend of archival footage, animation, and deeply personal interviews, the film explores themes of race, gender, and the boundless possibilities of the human spirit. Giovanni’s unapologetic voice and visionary outlook are masterfully captured by Stephenson and Brewster, making this film not just a documentary, but a powerful cultural statement.

  3. 3 days ago · Vote on these movies with strong female leads released in the U.S. in 2024. In a cinematic landscape that is increasingly celebrating diversity and championing women's voices, 2024 has seen an exceptional array of films with strong female leads.

  4. 1 day ago · Winner (Emilia Jones) is a pink-gun-toting animal lover and relentless freethinker who openly questions mainstream explanations for 9/11. The paradox of the real Reality Winner is that, despite ...

    • 103 min
    • Beatrice Loayza
  5. 3 days ago · Hannah Hall / Julie Skarratt. Brianna Middleton and Stella Everett have been cast in leading roles for the feature adaptation of “ Ride or Die,” the short film by filmmaker Josalynn Smith ...

  6. 4 days ago · Women's cinema primarily describes cinematic works directed (and optionally produced too) by women filmmakers. The works themselves do not have to be stories specifically about women, and the target audience can be varied. It is also a variety of topics bundled together to create the work of women in film.

  7. 5 days ago · A decade after becoming the youngest Nobel Peace Prize winner in history, Malala Yousafzai is beginning her career as a film producer with the documentary “The Last of the Sea Women,” which premiered this week at the Toronto International Film Festival. At TheWrap TIFF 2024 Studio sponsored by Moët & Chandon and Boss Design, Yousafzai ...

  8. 4 days ago · She took on the leading role in the independent drama Under the Skin (1997), directed by Carine Adler, where she played Iris, a woman coping with the death of her mother. The movie garnered favorable reviews from writers, with The Guardian placing it at number 15 on its list of the Best British Films 1984–2009.

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