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1 day ago · Those who insist the pile-up at the Canal Turn "could happen anywhere" and "distorted the number of finishers" are deluding themselves. The departure of eight at once may even have been a blessing in disguise, as we were thus spared the sight of them coming to possibly even worse fates over the next 22 fences and three miles of muddy morass.
1 day ago · Words and music have the power to shape a thought, to give birth to an emotion, to sway an intent. Words and music are powerful. Words and music are magic. In The Wolf and the Wild King, the characters I write about as musicians are those who can make music and songs out of, you might think, nothing — creating on the fly a song or a spell ...
4 days ago · The best gospel songs continue to enthrall, as Chance The Rapper shows with his 2016 song “Blessings.” This intense and moving song features gospel singer Byron Cage and is built on the sound...
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10 hours ago · Anton Webern [a] (German: [ˈantoːn ˈveːbɐn] ⓘ; 3 December 1883 – 15 September 1945) was an Austrian composer, conductor, and musicologist.His music was among the most radical of its milieu in its concision and use of then novel atonal and twelve-tone techniques in an increasingly rigorous manner, somewhat after the Franco-Flemish School of his studies under Guido Adler.
1 day ago · But why consecrate the world — or anyone — to the Sacred Heart of Jesus? What does that mean? Pope Leo XIII described the act of consecration as one that will “establish or draw tighter the bonds which naturally connect public affairs with God,” which was especially needed for the world at the turn of the century.
3 days ago · What Are The Chords For Come Thou Fount Of Every Blessing On Ukulele? You will play the [G], [D], [C], [Em] ukulele chords while playing Come Thou Fount Of Every Blessing with your ukulele in the G key, original tone of the song.
3 days ago · The Rite of Spring[n 1] (French: Le Sacre du printemps) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1913 Paris season of Sergei Diaghilev 's Ballets Russes company; the original choreography was by Vaslav Nijinsky with stage designs and costumes by Nicholas Roerich.