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4 days ago · Art & Photography In pictures: Jim Jarmusch on the surrealist images that inspired his films. John Kayser, sans titre (1973) Courtesy christian berst art brut. The collection strikes a balance between the history of surrealism (see: works by Man Ray and Dora Maar) and a more intuitive approach, notes Anna Planas, artistic director of Paris ...
4 days ago · In the closing scene of Jim Jarmusch’s Coffee and Cigarettes (2003), two icons of the American avant-garde, Bill Rice and Taylor Mead, make a toast to “Paris in the 1920s… and New York in the 70s”. Both are historic periods marked by artistic revolution: the flourishing of NYC’s radical counterculture, and the official dawn of
3 days ago · While he’s seen the appeal of newer models like the A7R V, Jim feels that his A7R III meets his needs and allows him to focus more on his lenses. When it comes to glass, Jim has an impressive collection: Primes: 14mm, 20mm, 24mm, and 35mm for sharp, high-quality images. His favorite for landscapes and night photography is the 14mm f/1.8.
1 day ago · In 2023, aged 50 and with her children grown up, Zoe made a pivot towards art. ‘I paint at home due to my MS and I realised there’s only so many pieces of art I can have in my house or give people,’ she jokes. Zoe decided to ‘get a bit brave’ and began approaching local establishments such as the Deli@Keynsham and Flourish Foodhall ...
1 day ago · Irish novelist John Banville has enjoyed unlimited access to Spain's Prado Museum for the past month as its latest writer-in-residence MADRID -- It’s the eyes peering from the canvases that get ...
4 days ago · The end credits of the series were also completely revamped. This time, the credits featured various images of the Metropolitan Police uniform, combined with images of feet tapping on a kerb. A longer version of "Overkill", composed by Mark Russell, was also used in the final credits.
2 days ago · The video opens with a man being thrown off his motorcycle, after lightning strikes a tree down in his path - eventually killing him in the process. Dion's character is haunted by her lover's image, which she sees through a mirror, and images of them together through picture frames.
