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  1. 1 day ago · Two well-prepared analyses on "Caged Bird" by Maya Angelou, thoroughly covering the main aspects of the poem, including theme, tone, line-by-line analysis, and questions with answers. These notes are sure to score you an A and will fully prepare you for your final exams.

  2. 3 days ago · The song stuck in the throat of the caged Bird vs the clear song of the free bird creates a strong, heart-wrenching, image. That image represents what it’s like to be Privilegedwhere you’re not forced to choke on the speech that’s supposed to be free for all.

  3. 3 days ago · for the caged bird. sings of freedom. The free bird thinks of another breeze. and the trade winds soft through the sighing trees. and the fat worms waiting on a dawn - bright lawn. and he names the sky his own. But a caged bird stands on the grave of dreams. his shadow shouts on a nightmare scream.

  4. 3 days ago · How do the events in "I Know Why the Caged Bird Sings" most influence Maya Angelou's later poem, "The Caged Bird"? Her childhood experiences gave her an understanding of being trapped and being free. See an expert-written answer!

  5. 5 days ago · They have no children, and as the years go by, Minnie is more and more lonely. The neighbor women leave her to herself; her isolation is pronounced. At length, after many years, she comforts herself with a caged bird. In a fit of rage, John wrings the bird’s neck. Minnie, half-crazed, lays aside the body of the bird in her sewing basket.

  6. 6 days ago · Read the passage, and highlight the words spoken by Mrs. Flowers. ["I don't need to see the inside, Mrs. Henderson, I can tell . . ." But the dress was over my head and my arms were stuck in the sleeves. Momma said, "That'll do. See here, Sister Flowers, I French-seams around the armholes."

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  8. Read the excerpt from Walt Whitman's poem "I Sit and Look Out" that Clara is using in her analysis of "The Caged Bird."I sit and look out upon all the sorrows of the world, and upon all oppression and shame; I hear the secret convulsive sobs . . .

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