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22 hours ago · Released in 1974, KISS' second studio album, Hotter Than Hell, stands as a crucial chapter in the band's early history.Arriving just eight months after their self-titled debut, this record captures a group eager to solidify their place in the hard rock music landscape; one driven by gritty raw energy that adds layers of authenticity to the unpolished production of this classic release.
4 days ago · By Ken Warren. Origin: U.S.A. Released: 1978. Directed by: Gordon Hessler. Starring: Peter Criss, Ace Frehley, Gene Simmons, Paul Stanley. Watch the original 1978 NBC trailer for “KISS Meets the Phantom of The Park”. NBC bumper for Kiss Meets the Phantom 1978 - YouTube.
3 days ago · LGBTQ topics. This article lists lesbian, gay, bisexual, transgender, or queer -related films involving participation and/or representation of LGBTQ people. The list includes films that deal with or feature significant LGBTQ issues or characters.
4 days ago · But Kulick’s contributions are sometimes overlooked, and he was not asked to participate in Kiss’s “End of the Road” farewell gigs. Kulick’s tenure in the band ended with the first Kiss reunion in the mid-1990s. Additionally, it wasn’t the first time Kiss declined his invitation to return.
4 days ago · Here, 183 adults associated emotions with the color terms pink, blue, and red (among others). We found that both men and women viewed pink exclusively positively, blue had mainly positive emotions ...
Oct 16, 2024 · Yellow Diamond (Steven Universe) Angst. Hurt No Comfort. Yellow’s overworked and under a lot of pressure from White Diamond, as usual, and instead of using a healthy coping mechanism to get rid of the stress, she takes it out on an already down Blue Diamond.
1 day ago · So grab a brew, a beret and maybe a biscuit and let’s get painting a Monet! “When you go out to paint, try to forget what objects you have before you,” he said. “Merely think, here is a little square of blue, here an oblong of pink, here a streak of yellow, and paint it just as it looks to you.” Claude Monet. What’s in the Course?
