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  1. 4 hours ago · In 1951, when his latest play made its initial bow on Broadway, Tennessee Williams had only one actress in mind to play the lead; she had already attracted notice for her performances in Roberto Rossellini’s Rome, Open City (1945) and L’Amore (1948), and it was the latter film that first brought her to Williams’ attention. When Anna Magnani […]

  2. 6 days ago · If it weren’t for Alberto Lattuada, Giuseppe De Santis, Luchino Visconti, Roberto Rossellini, Vittorio De Sica and the other titans, then the art form would look very different today.

  3. 5 days ago · A landmark of Italian neorealism approaching its 80th anniversary, Roberto Rossellinis portrait of life under Nazi occupation in Rome, Open City remains remarkable for its immediacy, tension and power.

  4. 1 day ago · Like Roberto Rossellini’s Open City capturing Rome after Nazi occupation, Spike Lee’s 25th Hour documents a city still in recovery. We should be so glad that he did.

  5. 4 days ago · A landmark of Italian neorealism approaching its 80th anniversary, Roberto Rossellini’s portrait of life under Nazi occupation remains remarkable for its immediacy, tension...

  6. 3 days ago · Mina (Dakota Fanning), lost in haunted woods which seem to have a history of missing people, arrives at a bunker where three mysterious strangers are studied...

  7. 3 days ago · They thought it would cast Europe in an unfavorable light and discourage tourism and trade. As a result, many of the great film directors from that period like Vittorio De Sica, Roberto Rossellini, and Luchino Visconti veered toward more commercialized, Hollywood-type films that appealed to new audiences exhausted from the war.

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