Search results
2 days ago · We took inspiration from that as well, but honestly, for shots where we were designing camerawork from scratch – like our big CG sequence in Episode 3 – the most important reference point was Robert Elswit’s cinematography from the rest of the show.” —John Bowers, VFX Supervisor
4 days ago · Cinematographer Robert Elswit Breaks Down ‘Ripley’s’ Striking Black & White Cinematography Cinematographer Robert Elswit discusses the in
2 days ago · Elswit employs a range of camera angles to convey the emotional stakes and power dynamics. Close-up shots of Daniel and Eli’s faces capture the raw emotions and tensions between the characters, while wider shots of the bowling alley underscore the isolation and claustrophobia of the setting.
1 day ago · Set in Naples and Rome in the 1960s, the show’s dramatic black and white, shot by the Oscar-winning cinematographer Robert Elswit, perfectly captures the beautiful shadowy world Ripley inhabits as he ascends from a small-time grifter in New York to a denizen of la dolce vita.
3 days ago · The best TV shows on Netflix right now include ‘The Walking Dead’ ‘Stranger Things,’ ‘Squid Game,’ ‘Baby Reindeer,’ and more. We list the 30 best TV shows streaming on Netflix ...
1 day ago · Stefan Sonnenfeld. Stefan Sonnenfeld is an American Digital Intermediate (DI) colorist, co-founder and president of post-production house Company 3, and president of VFX house Method Studios. He has performed color grading/color correction on many commercials and feature films including the Pirates of the Caribbean and Transformers franchises.
4 days ago · Netflix’s “Ripley” goes in a completely different direction, relying on exquisite black-and-white photography from Oscar-winning cinematographer Robert Elswit (“There Will Be Blood”). Elswit’s framing creates a wealth of small but indelible moments, like an early scene at a bank in which Ripley eyes a stack of checks with the ravenous longing of a starving man arriving at a ...
