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  1. 1 day ago · Posthuman (@posthumanmusic). 20 Replies. 6 Likes. who/what are your favourite local record shops, and why?

  2. 1 day ago · With no traditional proscenium arch or stage-wings, and little in the way of scenery, Derek Deane’s reimagining of the classic of all classic ballets brought a sensational aspect to Swan Lake.

  3. 2 days ago · It’s July already – here’s 10 records that have been floating my boat recently, some fantastic club tracks full of breaks and twisted electronics from Reso, Kursa/Ben Pest, Suzi Analogue, ScanOne and MBM, psychdelia from Long Distance Dan and FSOL, 4th world jazz from Santaka and analogue ambience from Listening Centre and Concretism.

  4. 2 days ago · Harm's Way has since released four studio albums: Reality Approaches (2009), Isolation (2011), Rust (2015), Posthuman (2018) and several EPs. In 2023, the band released their critically acclaimed Metal Blade Records sophomore effort, titled Common Suffering. They have been recognized for their unique blend of metal, industrial, and hardcore music.

  5. 5 days ago · Abstract. It is at the intersection of Posthuman thought, Gothic narratives, and the New Weird mode where “Two Houses” from Kelly Link’s Get in Trouble (2016) can be framed. In the story, six female astronauts alternate years of hibernation and moments of wakefulness in search of a habitable planet. The House of Secrets spaceship is ...

  6. 2 days ago · A radical, international, intellectual, and cultural movement known as "Transhumanism" supports the use of new sciences including genetic modification to enhance human mental and physical abilities and aptitudes so that "human beings will eventually be transformed into beings with such greatly expanded abilities as to merit the label 'posthuman

  7. 5 days ago · The official site of Nonesuch Records. Rectangles and Circumstance comprises ten songs co-written and performed by Caroline Shaw and Sō Percussion.Shaw and Sō's Eric Cha-Beach and Adam Sliwinski "sourced a group of nineteenth-century poems that shaped its expressive mode [and] ended up using verses by Christina Rosetti, Emily Brontë, Emily Dickinson, Gertrude Stein, and William Blake," says ...

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