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  1. en.wikipedia.org › wiki › Tom_WaitsTom Waits - Wikipedia

    2 days ago · Thomas Alan Waits (born December 7, 1949) is an American musician, composer, songwriter, and actor. His lyrics often focus on society's underworld and are delivered in his trademark deep, gravelly voice.

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  3. 1 day ago · The first spotlight track issued from the album was Nelson’s rendition of the Tom Waits song “Last Leaf.” Waits initially released the song on his 2011 album Bad As Me, with Keith Richards singing along. Nelson covers Richards elsewhere on the album, and he revisits the Waits songbook for “House Where Nobody Lives.”

  4. 1 day ago · The song was written by Tom Waits for his 2011 album Bad as Me but is gorgeously transformed in Nelson’s performance, not so much sung in amused denial of death as in celebration of the immortal spirit of music itself. “I’ll be here through eternity / If you want to know how long / If they cut down this tree / I’ll show up in a song.”

  5. 1 day ago · Willie Nelson on his new album, cannabis cookbook, Kris Kristofferson and what makes a good song Willie Nelson, who is 91, will release “Last Leaf on the Tree" on Friday, his second studio album ...

  6. 5 days ago · The Beatles – ‘Revolution 9’. Some songs are creepy because of their lyrical content; some are creepy because of the voice on the track. Or some, like ‘Revolution 9’ are creepy on every level, from the song’s build through to the chaos it caused in the real world after it’s release. On the most basic level, this White Album track ...

  7. 10 hours ago · Kristofferson, 88, died last month at his home on Maui, Hawaii. “He was a great songwriter. He left a lot of fantastic songs around for the rest of us to sing, for as long as we’re here,” he reflects. “Kris was a great friend of mine. And, you know, we just kind of had a lot of fun together and made a lot of music together — videos ...

  8. 4 days ago · Produced in tandem with Seth Kauffman (Floating Action, Angel Olsen, Lana Del Ray), Long Way Home's nine moving tracks recall the folk-rock explosion of the early seventies, while aptly sitting among the modern Americana revival that LaMontagne was integral in fueling. Recorded over the course of a few weeks in his h