The Film Scorer podcast features interviews with the best film score composers. Guests include Tim Hecker, Patrick Stump, and Oscar winners and nominees - listen now!
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5 days ago · The new movie from Steven Soderbergh, who directed “Traffic” (2000), “Ocean’s Eleven” (2001), and other films so numerous that he may have forgotten making them, is titled “Let Them All Talk.” It stars Meryl Streep as Alice Hughes, a distinguished American novelist who has been awarded something cal...
5 days ago · Steven Soderbergh By Matt Goldberg Published Dec 3, 2020 Your changes have been saved Email is sent Email has already been sent Please verify your email address. Send confirmation email You’ve reached your account maximum for followed topics. Manage Your List Follow Followed Follow with Notification...
4 days ago · TV & Movies Steven Soderbergh remains playfully unorthodox in his latest entertainment Money talks — loudly enough that it could just as well be the fourth wheel to the troubled trio at the center of Let Them Talk, the new Steven Soderbergh movie, which is currently streaming on HBO Max.
4 days ago · Always the intrepid storyteller, Steven Soderbergh proves an excellent match for brilliant short fiction writer Deborah Eisenberg in her first produced screenplay, Let Them All Talk. Much like the author, the main character here is a celebrated novelist who publishes infrequently and pays punctiliou...
3 days ago · He has scored many of Shyamalan's suspense thrillers, The Sixth Sense (1999), Unbreakable (2000), Signs (2002), The Village (2004), Lady in the Water (2006), The Happening (2008), and The Last Airbender (2010), notably dropping the intense, yet subtle, opening credit music for The Sixth Sense from the corresponding soundtrack album.
1 day ago · The Exorcist is a 1973 American supernatural horror film directed by William Friedkin from a screenplay by William Peter Blatty, based on his 1971 novel.
4 days ago · As a stage and screen actor, Jake Gyllenhaal is in the business of making realities from language. His personal theories on acting are like a re-spun version of the linguistic propositions in J. L. Austin’s 1962 book How to Do Things with Words. The British philosopher proposed that language didn’t merely communicate but enacted.
