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La dolce vita (Italian: [la ˈdoltʃe ˈviːta]; Italian for 'the sweet life' or 'the good life' [2]) is a 1960 satirical comedy-drama film directed by Federico Fellini. It was written by Fellini, Ennio Flaiano, Tullio Pinelli, and Brunello Rondi.
Jan 5, 1997 · The two Marcellos — character and actor — flowed together into a handsome, weary, desperate man, who dreams of someday doing something good, but is trapped in a life of empty nights and lonely dawns. The movie leaps from one visual extravaganza to another, following Marcello as he chases down stories and women.
The Sweet Life: Directed by Federico Fellini. With Marcello Mastroianni, Anita Ekberg, Anouk Aimée, Yvonne Furneaux. A series of stories following a week in the life of a philandering tabloid journalist living in Rome.
Seven days (and nights) in the life of a Marcello, a Roman journalist torn between making something serious of his life or drifting along on a pleasant if empty stream of casual affairs and profitable but meaningless newspaper and magazine work.
La dolce vita è un film del 1960 co-scritto e diretto da Federico Fellini, considerato uno dei suoi capolavori e tra i più celebri film della storia del cinema.
Aug 23, 2024 · La Dolce Vita, Italian film, released in 1960, that was widely hailed as one of the most important ever made and the first of several acclaimed collaborations between director Federico Fellini and actor Marcello Mastroianni, who came to represent the director’s alter ego.
Federico Fellini’s ode to Rome presents a lush, vibrant exterior to the swinging city, before revealing its rotting moral core. Federico Fellini’s epic charts a week in the life of a tabloid journalist (Marcello Mastroianni) as the excesses of modern Roman life go on around him.
An epic, breathtakingly stylish cinematic landmark, La Dolce Vita remains riveting in spite of -- or perhaps because of -- its sprawling length. Read Critics Reviews
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The biggest hit from the most popular Italian filmmaker of all time, La dolce vita rocketed Federico Fellini to international mainstream success—ironically, by offering a damning critique of the culture of stardom.
Episodic journey of journalist Marcello who struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer.
