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5 days ago · Born September 26, 1989, in Brooklyn, New York, he did not begin playing piano before the age of 12, but by his mid-teens, he had quit school and was earning a living in music as a “song-plugger” — pitching sheet music.
2 days ago · George Gershwin’s Of Thee I Sing and Let ’em Eat Cake were performed by Odyssey Opera Saturday night at Jordan Hall. Saturday’s performance leaned into the considerable musical and comedic strengths of both shows, in the process making a very long night at Jordan – three hours with one intermission – pass by reasonably quickly.
2 days ago · 1924 - Schoenberg: opera Die Glückliche Hand (The Fateful Hand), in Vienna at the Volksoper. 1930 - Gershwin: musical Girl Crazy, at the Alvin Theater in New York City. This show includes the classic Gershwin songs “Embraceable You” and “I Got Rhythm”. 1956 - Hovhaness: Symphony No. 3, by the Symphony of the Air, Leopold Stokowski ...
3 days ago · Though he was a New Yorker who spent his last years in Hollywood, George Gershwin and Boston have an important history. In 1935, his only opera, Porgy and Bess, premiered at what is now the Emerson Colonial Theatre. Eleven years earlier, on a train into town, he began writing what became the Rhapsody in Blue.
4 days ago · In an interview following the concert, Yang complimented the BPO’s new instrument, saying that it allowed her to create the “smoky, bluesy quality” Gershwin’s concerto requires. She praised the instrument’s bright, sustained tone which allowed Gershwin’s piano score to “cut through” the lush orchestration.
1 day ago · October 15, 2024. Back in the 1930s, the Gershwin brothers — George and Ira — were a dynamic American writing team that composed more than two dozen scores for Broadway and Hollywood. But their greatest hits came in the form of political satire musicals. There’s the Pulitzer Prize–winning “Of Thee I Sing,” about a president vowing ...
5 days ago · Samuel Barber, Aaron Copland, Virgil Thomson and George Gershwin all gave it their best shot. Leonard Bernstein’s entry is a curious affair. 1983’s A Quiet Place harks back to the composer’s earlier one-acter Trouble in Tahiti , revisiting Sam and Dinah’s 1950s suburban dream and strained marriage thirty years on.
