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  1. 2024 Blue Note Jazz Club New York, NY Tickets. View Seating & Event Schedule Online. Buy Blue Note Jazz Club New York, NY Tickets. View Seating & Event Schedule Online.

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  1. 2 days ago · FREDDIE HUBBARD Breaking Point! (Blue Note Tone Poet Series) LP. “Breaking Point!” was Hubbard’s last Blue Note solo album of the 1960s, and he went out on a high. It was recorded on 22 May 1964, just after he’d come to the end of two years with Art Blakey’s Jazz Messengers. Gathering James Spaulding on alto sax, soon to appear on ...

  2. 3 days ago · Eighty years ago, a German immigrant and passionate jazz fan named Alfred Lion produced his first recording session in New York City with two boogie-woogie pianists, founding what would become the most respected and longest-running jazz label in the world: Blue Note Records.

  3. 5 days ago · Reflecting on his short but productive alliance with Blue Note, Rollins tells uDiscover Music that his association with the iconic jazz label began when he was a teenage sideman.

    • Charles Waring
  4. 3 days ago · By Josef Woodard In some ways, jazz musicians with a deeper and more obsessive appreciation of jazz history and lore arrive on American shores from afar, armed with an outsider’s yearning and research. For Belgian guitarist Jeanfrançois Prins, who spent time living, playing and teaching in both New York City and Berlin, the sense of.

  5. 6 days ago · Recorded in the wee hours of Good Friday 1960, this impromptu & sublimely swinging Pacific Jazz session captured the easygoing alchemy of The Modest Jazz Trio featuring Jim Hall on guitar, Red Mitchell on piano & Red Kelly on bass.

  6. 4 days ago · Eighty years ago, on January 6, 1939, a German immigrant named Alfred Lion produced his first recording session in New York City with two Boogie Woogie pianists, founding what would become the most respected and longest-running jazz label in the world: Blue Note Records.

  7. en.wikipedia.org › wiki › Frank_ZappaFrank Zappa - Wikipedia

    2 days ago · Wilson signed the Mothers to the Verve division of MGM, which had built up a strong reputation for its releases of modern jazz recordings in the 1940s and 1950s, but was attempting to diversify into pop and rock audiences.

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