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20 hours ago · With Zemeckis, 72, at the helm of Death Becomes Her — a movie where Streep, 75, has her head on backwards after breaking her neck, and Hawn, 78, gets a shotgun-induced hole in her abdomen ...
3 days ago · Robert Zemeckis, American director and screenwriter known for crowd-pleasing films that often made innovative use of special effects, such as Back to the Future (1985), Who Framed Roger Rabbit (1988), Forrest Gump (1994), and The Polar Express (2004).
- The Editors of Encyclopaedia Britannica
18 hours ago · ‘Death Becomes Her’ was a groundbreaking film in the early ‘90s, leaving a significant impact on special effects in cinema. Directed by Robert Zemeckis, the cult classic brought together Meryl Streep, Goldie Hawn, Bruce Willis, and Isabella Rossellini in a darkly comedic tale about the pursuit of eternal youth through a magical potion.
18 hours ago · David Lean holds the record for the director with the most films that won the Academy Award for Best Cinematography at the Oscars with five wins out of six nominations for Great Expectations, The Bridge on the River Kwai, Lawrence of Arabia, Doctor Zhivago, and Ryan's Daughter. The first nominees shot primarily on digital video were The Curious ...
5 days ago · The Academy Awards were first televised in the United States in 1953, and since 1969 they have been broadcast internationally. By the late 20th century, the ceremony had become a major happening, viewed by millions. Notable hosts over the years included Bob Hope, Johnny Carson, and Billy Crystal.
- The Editors of Encyclopaedia Britannica
3 days ago · Alan in Wonderland is a lesser-known documentary from 1953 directed by British filmmaker John Eldridge. The film explores the imaginative world of a young boy named Alan as he navigates his everyday surroundings. Eldridge employs a unique blend of observational and poetic techniques to capture Alan's perspective.
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2 days ago · Gate of Hell, a 1953 film by Teinosuke Kinugasa, was the first movie that filmed using Eastmancolor film, Gate of Hell was both Daiei's first color film and the first Japanese color movie to be released outside Japan, receiving an Academy Honorary Award in 1954 for Best Costume Design by Sanzo Wada and an Honorary Award for Best Foreign Language Film.
