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3 days ago · High Noon: Do Not Forsake Me Oh My Darling Composer: Dimitri Tiomkin Conductor: Erich Kunzel Orchestra/Ensemble: Cincinnati Pops Orchestra Soloists: Frankie Laine, vocals Telarc 80141 Legends of the Fall: Alfred, Tristan, The Colonel, The Legend...
2 days ago · 3. Dimitri Tiomkin – Suite (The Men, 1950) (5:34) 4. Tex Ritter – Do Not Forsake Me (High Noon, 1952) (2:25) 5. Dimitri Tiomkin, Morris Stoloff and his Orchestra – They’ve Pardoned Frank Miller (High Noon, 1952) (2:54) 6. Dimitri Tiomkin, Morris Stoloff and his Orchestra – Two minutes To Twelve (High Noon, 1952) (1:35) 7.
19 hours ago · High Noon "The Ballad of High Noon" Dimitri Tiomkin (music); Ned Washington (lyrics) Because You're Mine "Because You're Mine" Slug Brodszky (music); Sammy Cahn (lyrics) Hans Christian Andersen "Thumbelina" Frank Loesser (music & lyrics) Just for You "Zing a Little Zong" Harry Warren (music); Leo Robin (lyrics) Son of Paleface "Am I in Love"
3 days ago · Academy Award-winning composer (1894-1979) of over 140 film scores, including High Noon, Giant, and The Old Man and the Sea Partly-printed DS, eight pages, 8.5 x 13, August 1, 1946. Agreement between Dimitri Tiomkin and Liberty Films by which the composer is employed "as a musical director in connection with the motion picture now entitled 'It's a Wonderful Life.'"
4 days ago · " Over the Rainbow " is a ballad by Harold Arlen with lyrics by Yip Harburg. [1] . It was written for the 1939 film The Wizard of Oz, in which it was sung by actress Judy Garland [2] in her starring role as Dorothy Gale. [1] . It won the Academy Award for Best Original Song and became Garland's signature song .
4 days ago · Kelly made her film debut in Fourteen Hours (1951) and gained stardom from her roles in Fred Zinnemann's western film High Noon (1952), and John Ford's adventure-romance Mogambo (1953), the latter of which earned her the Academy Award for Best Supporting Actress nomination.
5 days ago · The song depicts the innocence and curiosity of a child who used to adhere to a strict schedule but suddenly starts breaking it. Through the metaphor of the scholar coming at ten o’clock rather than noon, the song subtly represents a transition from youth to adolescence or adulthood.
