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  1. Duration. 1h 47m. Sound. Mono. Color. Black and White. The passengers on a New York subway car are terrorized by two teenage delinquents. Although outnumbered, the teenagers take advantage of the passenger's passivity and unwillingness to act together. We watch how the different personalities of the passengers react to the situation.

  2. eurekavideo.co.uk › movie › the-incidentThe Incident | Eureka

    A high-velocity “home invasion”-styled hostage drama on rails, The Incident is a NYC transit suspense film that precedes the better-known The Taking of Pelham One Two Three by seven years. When director Larry Peerce (Goodbye, Columbus) and cinematographer Gerald Hirschfeld (Young Frankenstein) were denied permission to shoot in the NYC ...

  3. Aug 6, 2018 · Two street hoods who terrorize 14 passengers sharing a New York City Subway car. The film debut of Martin Sheen. *StarringTony Musante, Martin Sheen, Beau B...

    • 1 min
    • 12.9K
    • WKAJTVII
  4. Sort of an urban Western...The movie works; it delivers the goods.” – Roger Ebert, Chicago Sun-Times. The Incident (1967), directed by Larry Peerce and written by Nicholas E. Baehr, is an excoriating look at the average New Yorker’s failure to get involved even when confronted by the most egregious and unfair form of sudden violence.

  5. Late one night, two young toughs hold hostage the passengers in one car of a New York subway train. Stark melodrama about two thrill-seeking tough guys who terrorize late-night passengers on a New York City train. The random victims are more concerned with their own problems than with helping each other; they pray that they won't be next.

  6. Critics reviews. Stark melodrama about two thrill seeking tough guys who terrorize late-night passengers on a New York City train. The random victims are more concerned with their own problems than helping each other and pray that they won’t be next.

  7. "The Incident" is a 1967 noir drama directed by Larry Peerce. At first glance, the film holds a lot of noir-based tendencies in its style, especially with the display of inner-city urban sprawl. This is where we meet two hoods, Joe (Tony Musante) and Artie (Martin Sheen), who end their time at a pool hall and go out to wreak havoc.

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