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  1. Stranger on the Third Floor: Directed by Boris Ingster. With Peter Lorre, John McGuire, Margaret Tallichet, Charles Waldron. An aspiring reporter is the key witness at the murder trial of a young man accused of cutting a café owner's throat and is soon accused of a similar crime himself.

  2. Critics and fans agree: Stranger on the Third Floor is the little B picture that launched one of the greatest movements in cinema history: film noir. Peter Lorre plays the eerie title role in this once-neglected gem about a reporter (John McGuire) whose testimony sentences a small-time loser (Elisha Cook Jr.) to the electric chair for murder. When the reporter himself is fingered in a second ...

  3. Often referred to as the first true film noir picture, Stranger on the Third Floor hardly set the cinematic world alight upon its release. With Lorre the draw card barely in it and its production value no more than that of a B movie programmer, it's not hard to envisage some of those 1940's critics stroking their beards and pondering how to write about such a film.

    • DVD
  4. An aspiring reporter is the key witness at the murder trial of a young man accused of cutting a café owner's throat and is soon accused of a similar crime himself.

  5. Jun 7, 2015 · However, Stranger on the Third Floor retreats even further back into Expressionism than M ever did – director Boris Ingster casts Peter Lorre as though he were a frightened rat scuttling about and surrounds him in shadows and stark angles whenever he is about. There is a real creepy weirdness in the scenes where Lorre follows the heroine home.

  6. Find out where to watch Stranger on the Third Floor online. This comprehensive streaming guide lists all of the streaming services where you can rent, buy, or stream for free

  7. Often referred to as the first true film noir picture, Stranger on the Third Floor hardly set the cinematic world alight upon its release. With Lorre the draw card barely in it and its production value no more than that of a B movie programmer, it's not hard to envisage some of those 1940's critics stroking their beards and pondering how to write about such a film.