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  1. On the Road with Ellison Volume 4. Released in 2010 by Deep Shag Records, On the Road with Ellison Volume 4 is a collection of humorous and thought provoking moments from the vaults of Harlan Ellison. The CD features a new essay written by Harlan for this release. When Harlan Ellison speaks, no topic is off-limits.

  2. Description. JOIN HARLAN ELLISON IN A BATTLE AGAINST THE DARK FORCES: “[The story] steals righteously from Lost Horizon and the marvelous works of H.P. Lovecraft and the caveats of Charles Fort and even the Dr. Strange comics (with a nod to Billy Batson, Captain Marvel, and the old wizard Shazam),” exclaimed Ellison in his 1972 NBC-TV pitch for The Dark Forces, an unproduced fantasy series.

  3. When Ellison returned to the syndicated Zone in the late 1980s, he submitted two storylines. One, “Crazy as a Soup Sandwich,” was produced, but the other—“Love Amid the Ruins”—had been kicking around since the 1970s, when Ellison used part of the premise as the basis for his Logan’s Run episode “Crypt” (in BRAIN MOVIES, Volume 5).

  4. Discover On The Road With Ellison, Vol. 3 by Harlan Ellison released in 2007. Find album reviews, track lists, credits, awards and more at AllMusic.

  5. Brain Movies: The Original Teleplays of Harlan Ellison® Volume 8 (2018 Edgeworks Abbey Trade Paperback; 1st edition) Cover by Bo Nash. Created in 1965 and sold to Paramount Television and NBC in 1969, Man without Time was to have starred Leonard Nimoy as Strang, a time traveler sent from a war-ravaged future to the 1970s to subtly alter the present to avert a nightmarish tomorrow.

  6. On the Road with Ellison Volume 3. Released in 2007 by Deep Shag Records, On the Road with Ellison Volume 3 is a collection of humorous and thought provoking moments from the vaults of Harlan Ellison. The CD features a new essay written by Harlan for this release. When Harlan Ellison speaks, no topic is off-limits.

  7. Ellison won yet another Writers Guild Award for “Paladin of the Lost Hour,” an episode of the 1985 Twilight Zone revival written simultaneously with the Hugo Award-winning short story of the same name (featured in Harlan 101), but this particular script differs from the story in one key respect: it features the original ending Ellison planned for this classic story.